SOUND

sound as music/soundtrack - featured here is work with animation artist Jill Kennedy.
Jill Kennedy

New Educational Series

  • - Canaries In Colour - 2007

  • - Better Military Modelling - 2008

  • - At Home With The Ants - 2009

  • - One Minute Enlightenment - 2012 - Antoinette Godkin Gallery, 2012.

  • - A Last Look At The Moon - 2012

  • - Eyes On The Moon - 2012 - Gus Fischer Gallery, 2012.

  • - Christmas Watching - 2014 - Paul Nache Gallery, 2014.

    Collaborative work.

  • Untitled - 2007
    Drawing by Mark Braunias, Animation by Jill Kennedy, Sound by John Payne.

  • Pop Party - 2008
    Drawing by Mark Braunias, Animation by Jill Kennedy, Sound by John Payne

  • Blue Guts - 2013
    Drawing by Mark Braunias, Animation by Jill Kennedy, Sound by John Payne.

    https://www.paulnache.com/blue-guts

SOUNDTRACK COMPOSITION:

Lost In Place - animated series 2004. Dir John Pain. prod Halsey Street. 12 x 2m

Stringer - feature film 2004. Dir Steve Morrison. prod Esoap. 113m

Down The Barrel - documentary 1999. Dir Yvette Thomas. prod Morrison Grieve. 48m.

Godzone Sheep - documentary 1995. Dir Seth Keen. prod Greenstone TV. 49m.

SOUNDSCAPE + AMBIENT
current work is presented on my Mixcloud site as a regularly updated calendar/diary.

Garland Magazine: Tuhirangi Writes on the Sky
’In Māori culture, the singing of waiata (songs) and the playing of Tāonga Pūoro (musical instruments) creates open channels for the reverence and expression of divine energy and mauri (life force). This nuanced system of communication and interaction between the realms of the material and divine is reflexive—the intent of the practitioner is of equal importance as the practice. I talked to Ngāi Tūhoe carver, Te Hīnau and Pākehā musician, John about their ongoing collaboration, which combines tāonga pūoro with analog and digital musical technologies.’

vibraphone set up for recording.


Taonga puoro/electro-acoustic experimental sessions,
Te Whaiti, Te Urewera 2017.